Benjamin Britten Venezia - Teatro La Fenice: Peter Grimes
Captain Balstrod, un Mark S. Doss asciutto e ficcante tanto nel canto quanto nel gesto, che cerca di fare la cosa giusta...
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ccaml
- Nov 3, 2022
- 3 min
Successo al Teatro La Fenice per la nuova produzione del capolavoro di Benjamin Britten
Più centrato appare il ritratto del Capitano Balstrode offerto da Mark Doss, che oscilla fra momenti di risoluta potenza ed...
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ccaml
- Nov 3, 2022
- 7 min
Teatro La Fenice 2021-22 Review: Peter Grimes
Bass-baritone Mark S. Doss created a strong, well-defined portrait of Captain Balstrode, in which he captured the nuances of the character..
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ccaml
- Nov 2, 2022
- 2 min
Reflection on the compelling performance of Reed Tetzloff
His performance on January 23 was exceptional and will remain in the memory of those that had the privilege of hearing him...
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ccaml
- Nov 6, 2021
- 3 min
Shifrin, Korepanova shine with French and German gems at FIU Music Festival
Clarinetist David Shifrin performed with pianist Asiya Korepanova Friday night at the FIU Wertheim Concert Hall...
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ccaml
- Sep 23, 2021
- 4 min
Tetzloff traces the influence of Beethoven with thoughtful virtuosity
The formidably gifted American pianist Reed Tetzloff’s recital avoided the most obvious and overplayed works in favor of the new and...
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ccaml
- Oct 19, 2020
- 2 min
Beth Levin has a new CD.
In a pre-release review, Vienna’s Peter Kislinger wrote: A real hammer with Peter Kislinger. The American pianist Beth Levin with Handel,...
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ccaml
- Nov 9, 2019
- 1 min
Mark S. Doss | Predatory power and privilege in WNO's Rigoletto at the Birmingham Hippodrome
Claire Seymour writes about Welsh National Opera's production of Rigoletto in Opera Today, "Mark S. Doss has a big bass-baritone which...
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ccaml
- Nov 8, 2019
- 1 min
Mark S. Doss in Rigoletto | Robert Gainer in bachtrack
Reviewing Mr. Doss' performance in Welsh National Opera's production of Verdi's Rigoletto, Robert Gainer writes, "In the eponymous role...
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ccaml
- May 13, 2019
- 1 min
Beth Levin Plays Beethoven’s Last Three Piano Sonatas | by Timothy Judd
Timothy Judd writes in The Listener's Club that "All of the mystery and profound sense of revelation of late Beethoven is apparent in...
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ccaml
- Mar 30, 2018
- 1 min
Mark S. Doss | Scarpia in Welsh National Opera's TOSCA
Writing in The Reviews Hub, Helen Tope says,"the night belongs to Scarpia, played by Mark S Doss. Darkly comic, Doss brings out the...
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ccaml
- Mar 23, 2018
- 1 min
Mark S. Doss as Scarpia in WNO's TOSCA
"As for Scarpia, American Mark S Doss was quite brilliant in the role - which is undoubtedly one of the greatest in opera." "A strong...
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ccaml
- Mar 1, 2018
- 1 min
Marc Rochester reviews Reed Tetzloff's "Sounds of Transcendence"
"With this debut disc he is throwing down a gauntlet all of his own, and one which sets him apart from the great mass of young pianists...
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ccaml
- Jan 15, 2018
- 1 min
Dr. Gary Lemco in Audiophile Audition reviews "Sounds of Transcendence"
In Griffes' The Pleasure Dome of Kubla Khan, Lemco writes,"Tetzloff imbues the eight minutes of exotic solipsism with an erotic,...
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ccaml
- Mar 2, 2016
- 1 min
Personae: Beth Levin | Review by Raul da Gama
"Beth Levin is a fresh voice whose ingenious pianism and genuine musicality warrants placement in the top tier of classical music." -...
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ccaml
- Aug 19, 2014
- 1 min
"Musical Greatness Goes Unrecorded" by Richard Brody in The New Yorker
The New Yorker's Richard Brody writes about Beth Levin's concert of Schumann, Schubert, and Eliasson, and laments the paucity of...
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